Sound Art Zone Sound Culture and Creative Freedom
di Maurizio Chiantone Il libro esamina lo sviluppo della sound art, pratica ormai consolidata e diffusa a partire dagli anni ‘50 intorno alla musica, l’architettura e le pratiche dell’arte mediatica. A differenza di molti studi sull’organizzazione dei suoni nel tempo, nella sound art installazioni e performances hanno una forte correlazione con lo spazio e con il complesso di interventi necessari …
Atonale
Agosto, 2019
Novembre, 2016
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28 Novembre
Jean Claude Risset | Mutations (1969)
Jean-Claude Risset, who reimagined digital synthesis, has died Peter Kirn — November 22, 2016 We’re in a strange time, as we big farewell to a great generation of pioneers of electronic music. French composer Jean-Claude Risset’s work can still tickle our perception and challenge what’s possible. He helped expand the frontiers of what digital synthesis can do for our ears, and brought …
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23 Novembre
Pierre Schaeffer | Études de bruits (1948)
History of Electroacoustic MusicPierre Schaeffer (1910-1995) was a graduate of the Paris Ecole Polytechnique, after which he went to work for Radiodiffusion Francaise (RF) as an engineer and broadcaster. In 1942, during the Nazi occupation, he convinced the RF to make him project director of research into a science of musical acoustics. He was able to use the station’s turntables, disc …
Aprile, 2016
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6 Aprile
Persona – dir. I. Bergman | score: Lars Johan Werle
He was born in Gävle, Sweden, and taught himself how to compose, although he later studied at the University of Uppsala. He sang in the chorus Bel Canto, was active as a jazz musician, and worked as a producer for Swedish Radio. He was known for his avant-gardist, post-Webernian composition Pentagram for string quartet that won first prize at the Gaudeamus Festival in Bilthovenin 1960. He became …
Febbraio, 2016
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29 Febbraio
Luc Ferrari – Éphémère I “L’Ordinateur Ça Sert À Quoi?” 1974
Éphémère I & II’ (for tape, or to be played with various instruments) are two previously unpublished masterpieces which represent a very specific moment in the creative life and catalogue of Luc Ferrari. Luc Ferrari was tempted in the mid-1970s by the idea of leaving the final realization of these pieces open to the performer’s intervention (a perspective he decided …