venerdì , 19 Aprile 2024

Electronic

Karlheinz Stockhausen – Mikrophonie I (1966)

Mikrophonie I (Microphony I) for 6 players (2 groups of 3) with tam-tam (gong), 2 microphones, 2 filters with potentiometers (1964) Development In 1964, Stockhausen acquired a 5-foot Paiste tam-tam (gong) which was first used in performances of MOMENTE, where it was struck, caressed, scratched and scraped in various ways with various drumsticks, mallets and screwdrivers.  After installing it in …

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Mauricio Kagel Antithese (1962)

In 1962 the Argentine-German composer Mauricio Kagel (1931-2008) completed an innovative multimedia/interdisciplinary piece, Antithese für einen Darsteller mit elektronischen und öffentlichen Klängen. The unique compositional style and formal structure consisting of heterogeneous compositional components reflected his profound insights into issues inherent in postwar avant-garde music. Kagel remarked strikingly that “anarchy in the piece was omnipresent.” Indeed, his use of the …

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Velimir Khlebnikov

Viktor Vladimirovich Khlebnikov was born in 1885 in Malye Derbety, Astrakhan Governorate, Russian Empire ( in present-day Kalmykia). He was of Russian, Armenian and Zaporozhian Cossack descent. He moved to Kazan, where he attended school. He then attended school in Saint Petersburg. He eventually quit school to become a full-time writer. Khlebnikov belonged to Hylaea, the most significant Russian Futurist …

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Maryanne Amacher ‎– Sound Characters (Making The Third Ear) – 1999

Maryanne Amacher (1943-2009) October 22, 2009 by Kyle Gann [For emendation to the above dates, see updates below.] The music world lost one of its most bizarre characters today, and I say that with the utmost affection. Maryanne Amacher was an amazing composer of sound installations, who occasionally taught courses at Bard. I first encountered her in 1980 at New Music America …

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Ned Lagin

Ned Lagin (born March 17, 1948) is an American artist, photographer, scientist, composer, and keyboardist. Lagin is considered a pioneer in the development and use of minicomputers and personal computers in real-time stage and studio music composition and performance. Ned Lagin was born in New York City and raised on Long Island in Roslyn Heights, New York. Growing up, Lagin …

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Miguel Álvarez-Fernández – Bacchus

“Bacchus”, a new installation by DissoNoiSex (Asia Piascik, Stefan Kersten and Miguel Álvarez-Fernández), presented at the Vinfonies Festival (Vilafranca del Penedès, Barcelona), 10-13 November 2011. “Bacchus” is based on the electrical conductivity of wine: even the slightest trace of fluid on the smooth, white surface closes an oscillatory feedback loop between three metal electrodes and produces a manifold of sounds, …

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Kenji Kojima – The Sound of Fountain

Kenji Kojima has been experimenting with the relationships between perception and cognition, technology, music and visual art since early 90s. Born in Japan, and moved to New York in 1980. He created RGB Music series, an interdisciplinary work exploring the relation between images and music. In 2008, as part of the series, the sound installation “Subway Synesthesia” exhibited in New York …

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Videodokument o Milanovi Adamčiakovi

Milan Adamčiak (1946) is a Slovak composer, cellist and musicologist; author of acoustic objects, installations and unconventional musical instruments; a performer, visual artist, experimental poet, and mystifier. Biography Born 1946 in Ružomberok. After studying cello at the Music school in Žilina (1962-1968) he continued his music studies at the Faculty of Philosophy of Comenius University Bratislava (1968-1973). In 1972-1991 he worked at the Institute of …

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Douglas Leedy – Bhishma Xenotechnites

Born in Portland, Oregon, Leedy studied with Karl Kohn at Pomona College and at the University of California, Berkeley, where he was in a composition seminar with membership including La Monte Young and Terry Riley. An orchestral hornist, harpsichordist, and singer, he studied South Indian music in Madras with K. V. Narayanaswamy, North Indian vocal music with Pandit Pran Nath, …

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Herbert Eimert – Robert Beyer | Klang im unbegrenzten Raum

Herbert Eimert & Robert Beyer | Klang im unbegrenzten Raum – Sound in Unlimited Space 1952 Robert Beyer, born in Germany 1901, involved in the early years of German electronic music with Herbert Eimert. by Tuna Akbaşlı

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