Sound Art Zone Sound Culture and Creative Freedom
di Maurizio Chiantone Il libro esamina lo sviluppo della sound art, pratica ormai consolidata e diffusa a partire dagli anni ‘50 intorno alla musica, l’architettura e le pratiche dell’arte mediatica. A differenza di molti studi sull’organizzazione dei suoni nel tempo, nella sound art installazioni e performances hanno una forte correlazione con lo spazio e con il complesso di interventi necessari …
Sound Installation
Agosto, 2019
Febbraio, 2019
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27 Febbraio
En Chair et en Son \ France
Festival En Chair et en Son – 4e édition Centre de création numérique LE CUBE Issy les Moulineaux le 26 octobre 2018 Title: Ku Danse : Rosana BarraMusique : Maurizio ChiantoneInterprétation sur acousmonium MOTUS: Eric Broitmann Lumières : Cloé Chope Captation Vidéo : Irène Oki http://en-chair-et-en-son.com
Marzo, 2018
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20 Marzo
Musica Velata | Blucode Lap [Live Action Performance] 2018
R U M I N A N Z E © scritture collettive multimodali ricerca permanente sul suono, sull’arte, sui segni. RUMINANZE© Dal 2004 Ruminanze è il Laboratorio di scritture collettive multimediali di Blucode LAP, ogni esperienza di Ruminanze è distinta da un numero progressivo a quattro cifre. Con Ruminanze si indaga sulla ri-mediazione tra linguaggi. I diversi medium espressivi concorrono …
Gennaio, 2018
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15 Gennaio
Ryoji Ikeda | data.path
Born in 1966, the japanese Ryoji Ikeda started working in the world of music, a field that he would soon face up to the computer and from which he would jump towards visual creation and the multidisciplinary use of very varied artistic techniques, such as performance and the installation. Self-taught, he achieved with his technique an extremely precise aesthetic, to open …
Dicembre, 2017
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21 Dicembre
Maurizio Chiantone | Skēnè :: InVisible Streams
Skēnè The Poetics of Skēnè – Draft / This work is measured with iron, more precisely with non-disposed and rusted pipes, but theses, shiny, vibrant, stacked to structure windmill-like bamboo columns that rigid tools defined for drawing a useful volume. Building builder slaves will now become protagonists by becoming architecture themselves that is well placed in post-modern and new …
Settembre, 2017
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26 Settembre
Pinuccio Sciola: musica ed elasticità della pietra
PINUCCIO SCIOLA: BIOGRAFIA DI UN’ARTISTA SENZA TEMPO Quando non ero e non era il tempo. Quando il caos dominava l’universo. Quando il magma incandescente celava il mistero della mia formazione. Da allora il mio tempo è rinchiuso in una crosta durissima. Ho vissuto ere geologiche interminabili. Immani cataclismi hanno scosso la mia memoria litica. Porto con emozione i primi segni …
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6 Settembre
Bernard et François Baschet
Bernard, né en 1917, et François Baschet, né en 1920, sont des créateurs d’instruments acoustiques. Bernard, est un ingénieur formé à l’Ecole Centrale de Paris. Il gère une petite entreprise familiale de bois pendant 15 ans. Mélomane, il apprécie la musique concrète de Pierre Henry et Pierre Schaeffer. François, résistant pendant la guerre, est ensuite enrôlé dans les services secrets …
Novembre, 2016
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10 Novembre
Harry Partch | The Dreamer That Remains
Harry Partch (1901-1974) was an American composer, philosopher, inventor, instrument builder, and much more. Partch was born in Oakland, California, on June 24, 1901, and spent much of his early years in the American Southwest, where he was exposed to music and sound from a variety of cultures. He enrolled at the University of Southern California to study composition, but …
Agosto, 2016
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23 Agosto
Max Eastley | Hydrophone String Installation and others
Max Eastley – Hydrophone String Installation + Half Speed Metal Installation + Stone Circle 2 Max Eastley is an internationally recognised artist who combines kinetic sculpture and sound into a unique art form. His sculptures exist on the border between the natural environment and human intervention and use the driving forces of electricity, wind, water and ice. He has exhibited both …
Giugno, 2016
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16 Giugno
Max Neuhaus – Sound Art?
From the early 1980s on there have been an increasing number of exhibitions at visual arts institutions that have focused on sound. By 1995 they had become almost an art fad. These exhibitions often include a subset (sometimes even all) of the following: music, kinetic sculpture, instruments activated by the wind or played by the public, conceptual art, sound effects, …