Sound Art Zone Sound Culture and Creative Freedom
Born in 1966, the japanese Ryoji Ikeda started working in the world of music, a field that he would soon face up to the computer and from which he would jump towards visual creation and the multidisciplinary use of very varied artistic techniques, such as performance and the installation. Self-taught, he achieved with his technique an extremely precise aesthetic, to open …
Tag Archives: Oscillazione
Gennaio, 2018
Dicembre, 2017
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21 Dicembre
Maurizio Chiantone | Skēnè :: InVisible Streams
Skēnè The Poetics of Skēnè – Draft / This work is measured with iron, more precisely with non-disposed and rusted pipes, but theses, shiny, vibrant, stacked to structure windmill-like bamboo columns that rigid tools defined for drawing a useful volume. Building builder slaves will now become protagonists by becoming architecture themselves that is well placed in post-modern and new …
Novembre, 2016
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23 Novembre
Pierre Schaeffer | Études de bruits (1948)
History of Electroacoustic MusicPierre Schaeffer (1910-1995) was a graduate of the Paris Ecole Polytechnique, after which he went to work for Radiodiffusion Francaise (RF) as an engineer and broadcaster. In 1942, during the Nazi occupation, he convinced the RF to make him project director of research into a science of musical acoustics. He was able to use the station’s turntables, disc …
Gennaio, 2016
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16 Gennaio
Velimir Khlebnikov
Viktor Vladimirovich Khlebnikov was born in 1885 in Malye Derbety, Astrakhan Governorate, Russian Empire ( in present-day Kalmykia). He was of Russian, Armenian and Zaporozhian Cossack descent. He moved to Kazan, where he attended school. He then attended school in Saint Petersburg. He eventually quit school to become a full-time writer. Khlebnikov belonged to Hylaea, the most significant Russian Futurist …
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11 Gennaio
Miguel Álvarez-Fernández – Bacchus
“Bacchus”, a new installation by DissoNoiSex (Asia Piascik, Stefan Kersten and Miguel Álvarez-Fernández), presented at the Vinfonies Festival (Vilafranca del Penedès, Barcelona), 10-13 November 2011. “Bacchus” is based on the electrical conductivity of wine: even the slightest trace of fluid on the smooth, white surface closes an oscillatory feedback loop between three metal electrodes and produces a manifold of sounds, …
Dicembre, 2015
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7 Dicembre
Elektronisches Monochord
Das elektronische Monochord von Dr. Friedrich Trautwein stand nach seiner (nicht ganz vollendeten) Herstellung im Jahre 1954 im “Studio für elektronische Musik” des NWDR in Köln. Seiner intendierten Nutzung wurde es allerdings nicht zugeführt. Sei es, dass dieses trautonium-gleiche Musikinstrument einen zu großen Übungsaufwand erforderte oder einfach nur nicht den Erfordernissen der aufkeimenden deutschen Elektronikmusik entsprach (Stockhausen bevorzugte in jener …
Novembre, 2015
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24 Novembre
Maurizio Chiantone | Enrico Pofi. Sound Art Zone
Un punto di riflessione sui possibili scenari di un [questo] luogo virtuale. Il suono che dialoga con le arti e la creatività e diventa disciplina. La sua stessa natura lo rende un veicolo perfetto nell’interconnessione con i più diversi linguaggi. Come molti generi di arte contemporanea, l’arte del suono è di natura interdisciplinare, o assume forme ibride. La Sound Art può …